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Lenses for Sony E-Mount

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CREATOR NIGHT in Hanover: An evening full of exchange, learnings & insights

What really moves creators at the moment? Our recap of Creator Night in Hanover summarizes the most important learnings from the live podcast, community chat and survey on content creation, workflow and AI.

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Lens novelty for Sony E-mount - Tamron 17-28mm F/2.8

Tamron launches the second full-frame lens for Sony E-mount. A lightweight and compact 17-28mm wide-angle lens with a continuous aperture of F/2.8. We had the opportunity to subject the lens to a hands-on before it went on sale.

Sony - always one solution ahead

Lenses for Sony E-mount (or E-bayonet) offer a wide variety of possibilities for anyone, professional or amateur, who wants to meet the challenges of modern and contemporary photography.

The use of the various interchangeable lenses is of course determined by the photographer's needs and desires, but the E-mount for Sony mirrorless system cameras (of the Alpha 7, Alpha 6000, 5000 and NEX series) allows a wide range of possible lenses to be combined, either from Sony itself or from other manufacturers, for example Sigma, Tamron and Samyang, but also Canon, Walimex and others more. The choice of lens is essential for proper focusing and image processing, but is determined even more by the type of shooting (fixed focal length for portraits, zoom or megazooms for sports, motorized zoom for videos, macro for close-up, telephoto for distance, wide-angle for landscapes) - depending on preference or subject and partly implemented with OSS (optical SteadyShot), an image stabilization system developed by Sony. In any case, even if the need for interchangeable lenses is somewhat greater, a DSLM (digital single lens mirrorless) or system camera offers the basic requirements. Whatever the category, whether for reportage or leisure, portrait, outdoor, landscape, nature, Sony, in cooperation with a whole range of lens manufacturers, makes the optimal conditions possible.

Sony GM, Sony G or third party series

Those who are looking for maximum sharpness will find themselves looking at the Sony GM lenses, with the built-in glass and coatings Sony convinces with a small weight and the quite remarkable compactness. However, this has its price. G-Master lenses sell for an average above the 1,000 ? mark, where the Sony G lenses settle below. The G series lenses are usually a bit less light-intense with an aperture of f/4 and are still very suitable for filming, due to the constant aperture, which is not self-evident over the entire focal length range.

Third-party manufacturers like Tamron & Sigma also serve the market with high quality & good quality lenses. These are mostly in the price league of the Sony G line, but usually already have the open aperture of the G-Master series. Especially hobby photographers and semi-professional photographers rely on these lenses, since they offer a very good price performance.

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The great hybrid camera duel: Sony a7 V or Canon R6 III?

Two cameras that look almost the same on paper, but have different strengths in practice. Canon EOS R6 III and Sony Alpha 7 V are full-frame hybrids in the 33 MP sweet spot, with strong AF and 4K power. But: Who delivers more speed? Which offers the better video workflow? And which one is simply more fun in the end? We show you the differences that really matter.

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Firmware update guide

A firmware update for the camera is often ignored, but it can significantly improve performance and functionality. Find out in this guide what firmware updates really do and how to install them correctly.

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Sony Alpha 7 V: Sony redefines the full-frame standard

The A7 series has been one of the most popular full-frame cameras for years and today Sony is finally raising the curtain on the Alpha 7 V. Find out in our review what we can tick off our wish list and what remains to be done.

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The new Sony FX2 in the Creator test

With the new Alpha FX2, Sony is expanding its successful Cinema Line with a new camera that is exciting for both video and photo professionals. Here we summarize the most important technical innovations, compare it to the Alpha 7 IV, FX3 and FX30 and give authentic voices from the field.

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Hands On: Sony 50-150mm f/2 GM

Sony introduces a new, powerful zoom lens: the 50-150mm G Master with a continuous aperture of f/2.0. Specially designed for portrait, wedding, concert and event photography, it is designed to give photographers more flexibility and creative freedom without compromising on image quality or handling. Compact, precise and fast: in this article, you can find out what makes the latest member of the G-Master series so special and what advantages it offers you in practice.

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Small, light and flexible: Sony 16mm f/1.8 GM

With the new 16mm f/1.8 G in the ultra-wide-angle range, the company is presenting a new lens that now opens up even more creative possibilities. We were able to get our hands on the new fixed focal length in advance and test it briefly. In this blog post, we tell you all about what the new lens can do and, above all, for whom it might be worth a look.

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New possibilities for sports and wildlife: Sony 400-800mm G OSS

With the new 400-800mm f/6.3-8 G OSS, Sony is adding a completely new focal length range to its telephoto zoom selection, which could be particularly exciting for wildlife and sports photographers. We were allowed to take the new lens in our hands for you in advance and subject it to a short practical test.

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After more than three years, there is finally to be a successor to the Sony Alpha 1 and today we got our hands on it and were able to test it for you. The Alpha 1 is aimed at absolute professional photographers, as it is the top of the range in the Sony product cosmos. It therefore represents the perfect hybrid camera, which was also made for every requirement. In this article, you will find out whether this is the case and whether the Sony Alpha 1 II lives up to this! In addition to the new camera, Sony has also gifted us with a new lens, the Sony 28-70 F2 GM.

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