Sony Alpha 7 III (ILCE-7M3) Body + Sigma AF 35mm f/1.2 DG II Art

Perfection for all
The Sony α7 III features a full-frame rear-exposure CMOS sensor and other imaging innovations, high responsiveness, ease of use, and reliable durability.

Control creative expression
With its outstanding imaging capabilities and ultra-fast performance in a compact body, the α7 III gives you the power, precision, and flexibility you need to capture unique moments just the way you want.

Scene Rendering in Realistic Detail
A rear-exposed image sensor and advanced image processing system meet a wide range of shooting needs with high-quality imaging features normally only expected from a full-frame camera.

Impressive processing speeds
The 24.2-megapixel Exmor R™ CMOS sensor features a rear-exposed structure and has been combined with BIONZ X™ and front-end LSI. This combination can achieve up to two times faster data readout speeds and up to 1.8 times higher data processing performance.

Full-frame back-illuminated sensor
Higher sensitivity and readout speed - The camera's full-frame 35mm CMOS back-illuminated sensor optimizes light sensitivity, expands circuit scale, and outputs very high-speed data using a copper wire layer for faster transmission.

Reduced image noise at High-Resolution
Improves image quality by up to 1.5 steps -
Detail reproduction and area-specific noise reduction technologies simultaneously preserve image detail and reduce image noise. Highly effective mid-to-high sensitivity performance lets you shoot at high ISOs - the a7 III covers an extremely wide sensitivity range, from ISO 100 to 51,200.

Subtle gradation from shadows to bright areas
A dynamic range of up to 15 steps is achieved at low-sensitivity settings, thanks to a redesigned CMOS sensor and image processor that ensure smooth gradation from shaded to bright areas.

True-to-life color reproduction
Moreaccurate color reproduction straight from the camera -
Color reproduction performance has been significantly enhanced. As a result, the subjects in your shots have more natural colors that faithfully reproduce how colors actually look.

No shake with 5-axis stabilization
High-precision stabilization achieves a 5.0 step improvement in shutter speed through a stabilization unit and gyro sensors and algorithms. This system compensates for camera shake with many Lenses and provides excellent performance.

14-bit RAW output for rich color gradation
For more natural gradation, the BIONZ X image processor and front-end LSI process image signals in 16-bit form. This processor enables data output in 14-bit RAW, even in silent mode or continuous shooting mode.

4D FOCUS - Autofocusing evolves
Autofocus performance has been improved by optimally applying the same autofocus innovations as the α9. So once the α7 III captures subjects with unpredictable movements, such as dancers, boxers, and wildlife in action, it keeps them in focus.

Furthermore, this camera has an impressive number of phase-detection autofocus points: 693 of them, covering about 93% of the image area, and 425 densely placed contrast-detection autofocus points for better focusing.

Fast hybrid autofocus combines AF phase detection for excellent speed and tracking with high-precision AF contrast detection. This system doubles autofocus speed.

Improved AF tracking for fast-moving subjects - Autofocus performance inherited from the α9 provides AF tracking with greater precision during continuous shooting of fast-moving, action-packed scenes. Faster readout of the image sensor enables tracking of even complex subject movements and precise anticipation of sudden movements.

Improved AF algorithms contribute to high autofocus precision at light levels down to EV-3 and provide more reliable autofocus for scenes in the dark.

693-point focal plane autofocus with phase detection not only covers a wide range and responds instantly - it provides high tracking performance even with an A-mount lens mounted via Lens Adapter LA-EA3.

Eye-detection AF revolutionizes portraits -
With the α7 III, eye-detection AF can now be used in AF-C mode to achieve effective eye detection or tracking performance when shooting: Even when the face is partially in darkness, even when the subject is looking down, and even when backlit.

The α7 III features a touch focus function and a touch pad function. This allows you to intuitively move the focus area with a finger movement when using the viewfinder.

Use autofocus for photos while the focus area is magnified in the viewfinder or on the monitor, and magnify the view after autofocusing.

AF fields/points can be changed when you switch between horizontal and vertical orientation. You can assign focus point settings to custom buttons.

Fast continuous shooting captures the most important moments
The α7 III can take continuous shots at up to 10 frames per second with AF/AE tracking and up to 8 frames per second in Live View mode. The camera also supports silent shooting at up to 10 frames per second with AF/AE tracking and maximum resolution.

Up to 177 JPEG (standard) images, 89 compressed RAW images or 40 uncompressed RAW images can be captured in a single burst.

This camera enables silent shooting at up to 10 frames per second with AF/AE tracking. Noiselessness can be critical in scenes where even quiet noise can thwart the ideal shot.

Artificial light flicker is detected, then the shutter is timed to minimize possible exposure and color anomalies in images taken at fast shutter speeds or during continuous shooting.

Groups of continuous images can be quickly and easily sighted, deleted, or protected. Access a menu screen to change settings or control photo playback during data processing.

High-resolution 4K HDR2
In addition to the ability to capture stunning 4K movies by oversampling by 2.4 times, the camera offers a new HLG (Hybrid Log-Gamma) image profile that supports an instant HDR workflow.

Full pixel display without binning for high-definition 4K movies - Pixel display without binning in 35mm full-frame mode makes it possible to compress approximately 2.4 times as much data as required for 4K movies (QFHD: 3,840 x 2,160), minimizing moiré effects and image defects. In addition, 4K recording uses the XAVC S format with bit rates up to 100 Mbps.

Improved fast hybrid autofocus for video recording - Fast hybrid autofocus with phase detection and contrast detection locks onto moving subjects and tracks them smoothly. A wide autofocus range, similar to that for stills, is now available for movies. Reduced autofocus speed at the low end allows for more pronounced effects when focusing slowly.

HLG (Hybrid Log-Gamma) for instant HDR workflow - Movies shot in HLG image mode are displayed true to life with minimal underexposed or overexposed areas without color correction.

S-Log enhances gradation from shadows to midtones and a wide dynamic range of up to 14 steps. Choose from frame rates between 1 and 120/100 frames per second for up to 60x fast motion and 5x slow motion.

Reliable features and controls in a compact body
The α7 III's operation is enhanced by quick controls during shooting, amazingly clear views via Tru-Finder, versatile connectivity, extended shooting time through multiple power sources, and high durability and resistance in humid and dusty conditions.

Longer Battery Life for More Shooting at Profile Length
The new α7 III uses an NP-FZ100 battery that offers up to 2.2 times the capacity of an NP-FW50. This allows you to take up to 710 shots on just one full charge. You can charge your battery even faster with the optional BC-QZ1.

Two media slots, support for UHS-II
With two media slots - including one with UHS-II compatibility for fast data processing - the α7 III can perform simultaneous or relay shooting, separate RAW/JPEG data and photos/videos, and move data between cards.

My Menu: get to your favorites faster
You can register up to 30 frequently used items on the new My Menu for recall in seconds. You can create and customize an optional menu.

Ratingfunction
With the rating function, you can rate captured photos with 1 to 5 stars directly on the spot. For this function, if assigned to a custom button, use the playback screen.

High connectivity for smooth workflow
USB 3.1 Gen 1 compatible Type-C™ USB port provides smooth and easy high-speed remote transfer to a PC, for editing large image files created with PC tethered shooting.

Imaging Edge Software Suite from Sony
Use "Remote" to control shooting remotely while controlling scenes via Live View on the PC screen; "Edit" to convert RAW data into high-quality photos; and "Viewer" to view, rate, and select photos from a list of shots.

Exclusively for mirrorless cameras
Compatible with full frame cameras

ART 35mm F1.2 DG II

• Unsurpassed reproduction performance and crystal-clear images from F1.2 upwards, plus large, beautiful bokeh
• Significantly reduced in size and weight
• Developed and designed for professional use

Great gets even better:
The exceptional resolution and beautiful bokeh of Sigma's world-leading 35mm F1.2 in a smaller, lighter body

In 2019, Sigma launched the 35mm F1.2 DG DN | Art. At the time, it was the first 35mm lens for mirrorless cameras with an aperture of F1.2. Six years later, Sigma now proudly presents its successor, the 35mm F1.2 DG II | Art.

Developed and designed using Sigma's latest technologies, the 35mm F1.2 DG II | Art not only offers improved optical
performance. It also offers significantly increased mobility, thanks to a successful reduction in size by around 30%. With its improved design, the Lens offers clear high-resolution performance, unparalleled expressive power and a large, beautiful bokeh in a compact body. In addition, focus breathing has been effectively minimized, so that it achieves excellent results not only for still images but also for video recordings.

The Sigma 35mm F1.2 DG II | Art is an exceptional, uncompromising Lens that offers the perfect balance between optical performance, speed,
compact size, light weight and easy handling.

KEY FEATURES

Unsurpassed reproduction performance and crystal-clear images from F1.2 along with great, beautiful bokeh

Extreme correction of chromatic aberration and sagittal coma
The Sigma 35mm F1.2 DG II | Art offers even better optical performance than its predecessor. It delivers brilliant sharpness across the entire image area even when the aperture is fully open. By using an SLD glass, a high refractive glass with high anomalous dispersion, and four double-sided aspherical glass elements, axial chromatic aberrations and sagittal coma flares are thoroughly corrected, while the size of the lens is significantly reduced.

Brilliant sharpness and the large, beautiful bokeh of an F1.2 aperture
When developing the 35mm F1.2 DG II | Art, Sigma paid particular attention to correcting various optical aberrations that can affect image quality. Thanks to this meticulousness, the Lens delivers brilliant sharpness at the focal plane, resulting in beautiful bokeh without color fringing or double contours. Photographers will appreciate the rich, expressive rendering performance and the interplay between the in-focus and out-of-focus areas, especially when shooting with the F1.2 aperture fully open.

Minimized focus-breathing
Thanks to the optimized arrangement of the focus group and the aspherical shape, the Sigma 35mm F1.2 DG II | Art has succeeded in effectively suppressing focus-breathing. This means that the angle of view remains virtually unchanged when focusing. This ensures natural-looking focus shifts when shooting video, making the lens an ideal choice for professional video.

Low susceptibility to flares and ghosting
Flares and ghosting have been largely eliminated thanks to state-of-the-art simulation technology of all light incidence situations during the development phase of the Sigma 35mm F1.2 DG II | Art. As a result, the Lens delivers clear and sharp results under all conditions.

Significantly reduced in size and weight

Betterperformance, smaller size and lower weight thanks to the floating focus system
The Sigma 35mm F1.2 DG II | Art offers even better optical performance than its predecessor model and is around 30 % lighter and 20 % shorter. A decisive factor in this is the use of a floating focus design. Here, the lens groups are moved independently of each other, reducing the weight of each lens group while improving optical performance. In addition, the improved optical design incorporates four aspherical lens elements, high refractive index glass and thinner lens elements, which also contributes to the exceptional performance and compact body.

Dual HLA drive for fast, quiet and precise autofocus
The dual HLA (High-response Linear Actuator) drive of the Sigma 35mm F1.2 DG II | Art drives each of the two focus groups with its own linear motor. In addition, the use of multiple magnets in each motor enables a compact design of the focus unit without compromising the high thrust. Compared to conventional cam-controlled systems, the dual HLA system is not only significantly lighter, but also guarantees fast, reliable and quiet autofocus.

Developed and designed for professional use

A durable, reliable tool for photographic expression
The Sigma 35mm F1.2 DG II | Art is also manufactured and assembled exclusively at Sigma's factory in Aizu, Japan, using high-precision parts made of aluminum, TSC* and other materials. It is a highly sophisticated and durable photographic tool designed according to the specifications of Sigma's Art product line.
*TSC (Thermally-Stable-Composite) is a type of polycarbonate with a thermal expansion rate similar to that of
aluminum. It has a high affinity to metal parts, which contributes to high-quality product manufacture.

Numerous functions to support photography
The Sigma 35mm F1.2 DG II | Art offers an AFL button that can be assigned individual functions via the camera menu on compatible cameras. The lens also has an aperture ring for setting the aperture directly on the lens. Thanks to the "de-click function", this feature is also interesting for filmmakers, as the aperture can be adjusted silently and steplessly. Those who prefer to set the aperture on the camera body can simply use the lock function of the aperture ring and are protected against accidental adjustment.

Dust protection, splashwater protection* and water and oil repellent coating
In addition to the dust and splash water protected body*, the front lens of the Sigma 35mm F1.2 DG II | Art has a water and oil repellent coating. This means that you can take pictures without worrying even in difficult shooting conditions.
* The Lens is dust and splash-proof, but not waterproof. Make sure that the Lens does not
come into complete contact with water. Water inside a lens can cause major damage and even make it
irreparable

Tulip-shaped lens hood with locking mechanism
The Sigma 35mm F1.2 DG II | Art comes with a specially adapted, tulip-shaped lens hood that protects against stray light and thus reduces unwanted reflections. The lens hood is equipped with a locking button that ensures secure attachment and removal.

OTHER FEATURES

• HLA (High-response Linear Actuator)
• Water and oil-repellent coating (front lens)
• AFL button - Only for compatible cameras. The available functions may vary depending on the camera used.
• Aperture ring click switch and aperture ring lock switch
• Focus mode switch
• Dust and splash protection
• Connection change service possible
• Switchable between linear and non-linear transmission of the focus ring - Only in L-mount. Only in combination with compatible cameras of the L-mount system.
• Compatible with the USB dock UD-11 - Optionally available / Only for L-mount
• Each individual Lens runs through SIGMA's own MTF measuring system

TECHNICAL DATA (The data refer to the L-mount version)

• Lens construction: 17 elements in 13 groups (1 SLD glass, 4 aspherical glass elements)
• Angle of view: 63.4°
• Number of aperture blades: 11 (round aperture)
• Smallest aperture: F16
• Closest focusing distance: 28 cm
• Largest magnification: 1:5.3
• Filter size: Ø 72 mm
• Dimensions (maximum diameter x length): 81.0 mm x 111.4 mm
• Weight: 755 g