Sony ILME-FX3A Cinema Line + SEL 16-35mm f/2.8 GM

The Sony Alpha FX3A Cinema Line is a compact and versatile full-frame mirrorless camera designed specifically for filmmakers and content creators. It combines the proven technology of the Alpha series with the professional features of the Cinema Line, providing a powerful tool for cinema-quality video recording. The FX3A is suitable for both lone wolves and larger productions and impresses with its ease of use, exceptional image quality and robust construction.

The new -A version of the popular FX3 is characterized by a new higher-resolution camera LCD display with 2.36 million pixels and, unlike its predecessor, no longer has NFC and the infrared remote control receiver.

Design and ergonomics

The Sony Alpha FX3A was designed from the ground up for use as a film camera. Its compact design makes it an excellent choice for mobile use, whether for documentaries, travel or vlogs. It weighs only 715 grams, yet is robust enough for professional use as the body is made of magnesium alloy for durability.

A special feature of the FX3A is the cooling system integrated into the Body. The camera has a fan that prevents overheating during long recording sessions, allowing users to film in 4K at high frame rates without having to worry about thermal issues. This feature clearly sets the FX3A apart from many other mirrorless cameras and makes it a reliable choice for professional film projects.

The camera also offers numerous mounting options. There are several 1/4" threaded holes on the Body that allow easy connection of accessories without the need for an additional cage. This facilitates the use of microphones, monitors or other rigging components.

Image quality and performance

Inside the FX3A is a 10.2 megapixel CMOS sensor, which ensures excellent video recordings in full format. The relatively low resolution may seem unimpressive at first glance compared to some photo cameras, but it is ideal for video productions as it offers excellent noise performance and high light sensitivity. The camera supports an ISO range of 80 to 102,400, which can be extended to an impressive 409,600. This means that even in very low light, it can produce razor-sharp, low-noise images, which is particularly beneficial in demanding shooting environments.

The FX3A Cinema Line is capable of recording 4K video at up to 120 frames per second. This makes it possible to create breathtaking slow-motion shots, which are particularly appreciated in cinema or high-quality commercials. With the ability to record 10-bit 4:2:2 color subsampling internally, it offers amazing color fidelity and flexibility in post-production. In addition, the camera supports S-Cinetone, a color profile that provides an instantly cinematic aesthetic, and S-Log3, which offers a wider dynamic range for color grading in post-production.

15+ stops of dynamic range

The dynamic range of a camera describes its ability to show detail in both the brightest and darkest areas of an image. This is particularly important when shooting in high-contrast environments, such as outdoors on sunny days or in poorly lit interiors. This is where the Sony FX3A comes into play with its exceptionally wide dynamic range of over 15 stops.

This wide dynamic range enables the camera to capture the finest details in both highlights and shadows without losing any image information. With conventional cameras, it is often the case that either the bright areas "burn out" or the dark areas drown out, resulting in a loss of detail. With the FX3A's high dynamic range, these problems are minimized, giving filmmakers greater flexibility in both very bright and very dark areas of an image. This is a great advantage especially in post-production when working in color correction software such as DaVinci Resolve.

In addition, the FX3A supports the S-Log3 profile, which further exploits the dynamic range to create a flat image curve. This flat image display may seem inconspicuous at first glance, but it offers enormous flexibility in post-processing. The S-Log3 profile makes it possible to use the full dynamic range of the camera to precisely adjust colors, contrasts and shadows in post-production to achieve the desired look. This is an indispensable feature, especially for filmmakers aiming for cinematic productions.

16-bit RAW video output

Another key element that elevates the Sony Alpha FX3A Cinema Line into the realm of professional film cameras is the ability to record 16-bit RAW video to an external recorder via the HDMI output. RAW video provides an uncompressed and unprocessed output from the image sensor and stores all image information without any internal processing or compression. This means that all color data, brightness levels and image details are recorded in their most pristine form, giving filmmakers maximum flexibility in post-production.

Recording in 16-bit RAW expands the scope for color adjustments, preserving details in the shadows and highlights, and allows the final image look to be shaped far beyond what is possible with standard video formats. Especially for high-end productions such as commercials, music videos or even feature films, this capability is invaluable. RAW recording gives the filmmaker the ability to control almost every aspect of the image in post-production, making it easier to fulfill specific creative visions or director's specifications.

Compared to internally recorded compressed formats such as XAVC S or XAVC HS, 16-bit RAW offers a much higher data rate and therefore significantly more image information. This is particularly useful when working with highly complex scenes that contain many fine details or extreme differences in brightness.

In order to use 16-bit RAW video output, an external recorder such as the Atomos Ninja V+ is required, which is able to process these huge amounts of data and save them in a suitable format such as ProRes RAW. This combination of the camera's native RAW output and an external recorder makes the FX3A an incredibly powerful tool for professional productions that require the highest image quality and flexibility in post-production.

Autofocus and image stabilization

The Sony FX3A benefits from the advanced autofocus technology of the Alpha series. It offers fast and precise autofocus with 627 phase detection points distributed over the entire sensor area. Particularly impressive is the real-time eye autofocus that can be used when shooting people and animals to keep the focus on the eyes, which is invaluable for portraits and interviews.

Another outstanding feature is the 5-axis image stabilization built into the camera body. This feature minimizes camera shake when shooting handheld and ensures smoother and more stable shots, even in difficult conditions. This makes the FX3A an ideal choice for filmmakers who often work without a tripod or gimbal.

Audio features

Another important feature of the Sony FX3A is its audio performance. It is equipped with a detachable XLR handle that provides two XLR/TRS inputs and enables the recording of high-quality professional audio. This is an essential feature for filmmakers who want to record interviews, dialog or ambient sound in high quality without having to rely on external audio recorders. Additional audio accessories can be connected via the Multi Interface Shoe, making the FX3A a flexible tool for audio production.

Ease of use and connectivity

The FX3A places great emphasis on ease of use. The 3.0-inch touchscreen, which folds out to the side, facilitates operation and allows the image section to be checked from different angles. The menu structure is also tailored to the needs of videographers, with direct access to important functions such as image profiles, frame rates and audio settings.

In terms of connectivity, the Sony FX3A is also well positioned. It has Wi-Fi and Bluetooth, which makes it easy to transfer files or control the camera remotely via the Sony app. There are also HDMI ports, USB-C and dual SD card/CFexpress Type A support for fast and reliable recording.

The Sony Alpha FX3A Cinema Line is one of the best cameras for professional videographers looking for a compact but powerful solution. With its robust design, outstanding image quality and wide range of professional features, it is ideal for a wide variety of film projects. Whether for documentaries, commercials, music videos or even cinema productions, the FX3A's versatility and performance make it an impressive tool for any filmmaker.

Discover the world at wide angle
With an aperture of F2.8 and a wide-angle zoom range of 16 - 35 mm, the powerful G Master opens up a wide range of possibilities. The Lens achieves outstanding resolution from the center of the frame to the edge at any selected zoom setting and at any focus distance, as well as impressive background bokeh if desired.

High resolution from center to edge
An uncompromising optical design ensures exceptionally high resolution from center to edge when shooting landscapes, architecture, or other similarly sized subjects.

New standards in resolution and bokeh
It features two XA (extreme aspherical) elements from Sony with a surface precision of 0.01 μm. Distortion common to wide-angle zoom lenses, as well as astigmatism and image field curvature, is securely under control with this Lens. Less attractive bokeh, such as so-called onion rings, are successfully prevented by the XA elements, resulting in only wonderfully smooth bokeh in the out-of-focus areas.

Perfect balance between resolution and bokeh
Sony's advanced dual XA (extreme aspherical) element optics achieve exceptionally good resolution, reduce distortion, and provide wonderfully smooth bokeh.

Lightweight and compact for greater portability
Weighing just 680g, this small lens is the ideal complement for compact E-mount cameras, and is not only easy to carry, but also easy to use.

Fast, high-resolution zoom with F2.8 and 16 - 35mm
The first G Master wide-angle zoom lens lets you take full advantage of the high-resolution potential of current and future camera models. The Lens combines Sony's most advanced optical and mechanical technologies for exceptional image quality and clarity.

High resolution from center to edge
An uncompromising optical design provides exceptionally high resolution and excellent contrast. This results in landscapes, architecture, interiors, or shots of similar wide subjects that are razor sharp from the center of the image to the edges. Aspherical elements minimize distortion, while ED (Extra-low Dispersion) glass elements effectively compensate for chromatic aberrations.

Clarity and contrast in any light.
Sony's original Nano Coating suppresses unwanted reflections that can cause light flare and ghosting in backlit or other difficult shooting situations. The result is consistently high contrast and excellent clarity. By suppressing reflections across a wide spectrum of light, you gain flexibility in framing and composition, especially at wide-angle focal lengths. (1. Nano coating/ 2. Glass/ 3. Light amount)

For beautiful background bokeh
Close-up photography with an aperture of F2.8 can produce exceptionally beautiful background bokeh. Use this option, for example, to create sharp portraits against a beautiful, dynamic background with soft, expressive bokeh.

Optimal resolution at any focal length
Consistently high resolution is achieved from infinity to the minimum focusing distance. The Lens features a floating focus system with two independently driven focus units. This minimizes all types of aberrations and promotes sharp, high-resolution images from infinity focus, such as landscapes, to very short focus distances for portraits or similar subjects.

Fast, precise autofocus
Two DDSSM (Direct Drive SSM) systems with original Sony ultrasonic motors move two focus units in a so-called floating focus system. These focus units are moved into position with high precision to ensure the most accurate focusing possible. The DDSSM systems are also exceptionally quiet, which comes in handy when shooting video and stills alike.

Lightweight and compact for greater portability
First-class size and weight reductions do not affect the outstanding optical performance of the unit. An ideal complement to compact E-mount cameras, this lens gives you a system that's portable, easy to use, and great to take along on hiking trips or photo excursions, such as to the mountains.

Eleven blades for beautiful bokeh
Sony's original 11-blade circular aperture contributes to even better bokeh quality. Design and materials have been revised to maintain the circular shape of the aperture, and strict circularization standards have been applied to bring out the full bokeh of the Lens without limitations.

Smooth, versatile operation
A focus hold button, manual focus ring, AF/MF switch, and other controls provide flexibility in handling the Lens. The focus hold button can be customized via the camera menu and assigned a variety of functions to suit the user's needs.

Fluorine coating on the front element
The front element of the Lens is coated with a fluorine coating that protects against smudges and fingerprints and makes them easier to wipe off if they do stick to the surface.

High reliability in the toughest conditions
This Lens is dust and moisture resistant all around for added protection and reliable operation in the toughest conditions. Effortlessly create shots in light rain or wind.