Sony ILME-FX3A Cinema Line + SEL 24-105mm f/4.0 G OSS

The Sony Alpha FX3A Cinema Line is a compact and versatile full-frame mirrorless camera designed specifically for filmmakers and content creators. It combines the proven technology of the Alpha series with the professional features of the Cinema Line, providing a powerful tool for cinema-quality video recording. The FX3A is suitable for both lone wolves and larger productions and impresses with its ease of use, exceptional image quality and robust construction.

The new -A version of the popular FX3 is characterized by a new higher-resolution camera LCD display with 2.36 million pixels and, unlike its predecessor, no longer has NFC and the infrared remote control receiver.

Design and ergonomics

The Sony Alpha FX3A was designed from the ground up for use as a film camera. Its compact design makes it an excellent choice for mobile use, whether for documentaries, travel or vlogs. It weighs only 715 grams, yet is robust enough for professional use as the body is made of magnesium alloy for durability.

A special feature of the FX3A is the cooling system integrated into the Body. The camera has a fan that prevents overheating during long recording sessions, allowing users to film in 4K at high frame rates without having to worry about thermal issues. This feature clearly sets the FX3A apart from many other mirrorless cameras and makes it a reliable choice for professional film projects.

The camera also offers numerous mounting options. There are several 1/4" threaded holes on the Body that allow easy connection of accessories without the need for an additional cage. This facilitates the use of microphones, monitors or other rigging components.

Image quality and performance

Inside the FX3A is a 10.2 megapixel CMOS sensor, which ensures excellent video recordings in full format. The relatively low resolution may seem unimpressive at first glance compared to some photo cameras, but it is ideal for video productions as it offers excellent noise performance and high light sensitivity. The camera supports an ISO range of 80 to 102,400, which can be extended to an impressive 409,600. This means that even in very low light, it can produce razor-sharp, low-noise images, which is particularly beneficial in demanding shooting environments.

The FX3A Cinema Line is capable of recording 4K video at up to 120 frames per second. This makes it possible to create breathtaking slow-motion shots, which are particularly appreciated in cinema or high-quality commercials. With the ability to record 10-bit 4:2:2 color subsampling internally, it offers amazing color fidelity and flexibility in post-production. In addition, the camera supports S-Cinetone, a color profile that provides an instantly cinematic aesthetic, and S-Log3, which offers a wider dynamic range for color grading in post-production.

15+ stops of dynamic range

The dynamic range of a camera describes its ability to show detail in both the brightest and darkest areas of an image. This is particularly important when shooting in high-contrast environments, such as outdoors on sunny days or in poorly lit interiors. This is where the Sony FX3A comes into play with its exceptionally wide dynamic range of over 15 stops.

This wide dynamic range enables the camera to capture the finest details in both highlights and shadows without losing any image information. With conventional cameras, it is often the case that either the bright areas "burn out" or the dark areas drown out, resulting in a loss of detail. With the FX3A's high dynamic range, these problems are minimized, giving filmmakers greater flexibility in both very bright and very dark areas of an image. This is a great advantage especially in post-production when working in color correction software such as DaVinci Resolve.

In addition, the FX3A supports the S-Log3 profile, which further exploits the dynamic range to create a flat image curve. This flat image display may seem inconspicuous at first glance, but it offers enormous flexibility in post-processing. The S-Log3 profile makes it possible to use the full dynamic range of the camera to precisely adjust colors, contrasts and shadows in post-production to achieve the desired look. This is an indispensable feature, especially for filmmakers aiming for cinematic productions.

16-bit RAW video output

Another key element that elevates the Sony Alpha FX3A Cinema Line into the realm of professional film cameras is the ability to record 16-bit RAW video to an external recorder via the HDMI output. RAW video provides an uncompressed and unprocessed output from the image sensor and stores all image information without any internal processing or compression. This means that all color data, brightness levels and image details are recorded in their most pristine form, giving filmmakers maximum flexibility in post-production.

Recording in 16-bit RAW expands the scope for color adjustments, preserving details in the shadows and highlights, and allows the final image look to be shaped far beyond what is possible with standard video formats. Especially for high-end productions such as commercials, music videos or even feature films, this capability is invaluable. RAW recording gives the filmmaker the ability to control almost every aspect of the image in post-production, making it easier to fulfill specific creative visions or director's specifications.

Compared to internally recorded compressed formats such as XAVC S or XAVC HS, 16-bit RAW offers a much higher data rate and therefore significantly more image information. This is particularly useful when working with highly complex scenes that contain many fine details or extreme differences in brightness.

In order to use 16-bit RAW video output, an external recorder such as the Atomos Ninja V+ is required, which is able to process these huge amounts of data and save them in a suitable format such as ProRes RAW. This combination of the camera's native RAW output and an external recorder makes the FX3A an incredibly powerful tool for professional productions that require the highest image quality and flexibility in post-production.

Autofocus and image stabilization

The Sony FX3A benefits from the advanced autofocus technology of the Alpha series. It offers fast and precise autofocus with 627 phase detection points distributed over the entire sensor area. Particularly impressive is the real-time eye autofocus that can be used when shooting people and animals to keep the focus on the eyes, which is invaluable for portraits and interviews.

Another outstanding feature is the 5-axis image stabilization built into the camera body. This feature minimizes camera shake when shooting handheld and ensures smoother and more stable shots, even in difficult conditions. This makes the FX3A an ideal choice for filmmakers who often work without a tripod or gimbal.

Audio features

Another important feature of the Sony FX3A is its audio performance. It is equipped with a detachable XLR handle that provides two XLR/TRS inputs and enables the recording of high-quality professional audio. This is an essential feature for filmmakers who want to record interviews, dialog or ambient sound in high quality without having to rely on external audio recorders. Additional audio accessories can be connected via the Multi Interface Shoe, making the FX3A a flexible tool for audio production.

Ease of use and connectivity

The FX3A places great emphasis on ease of use. The 3.0-inch touchscreen, which folds out to the side, facilitates operation and allows the image section to be checked from different angles. The menu structure is also tailored to the needs of videographers, with direct access to important functions such as image profiles, frame rates and audio settings.

In terms of connectivity, the Sony FX3A is also well positioned. It has Wi-Fi and Bluetooth, which makes it easy to transfer files or control the camera remotely via the Sony app. There are also HDMI ports, USB-C and dual SD card/CFexpress Type A support for fast and reliable recording.

The Sony Alpha FX3A Cinema Line is one of the best cameras for professional videographers looking for a compact but powerful solution. With its robust design, outstanding image quality and wide range of professional features, it is ideal for a wide variety of film projects. Whether for documentaries, commercials, music videos or even cinema productions, the FX3A's versatility and performance make it an impressive tool for any filmmaker.

The new full-frame lens covers the important focal length range between 24 and 105 millimeters and offers outstanding image quality in a lightweight, compact design that photographers and filmmakers have come to expect from G Lenses.

The FE 24-105mm F4 G OSS Lens can be used for a wide variety of shots such as landscapes, portraits, weddings. This Lens also features fast, accurate and quiet autofocusing for both still and video shooting, making it an ideal addition to Sony's comprehensive lineup of E-mount lenses.

Outstanding Optical Performance and Premium Resolution
Sony's new FE 24-105mm F4 G OSS Lens ensures razor-sharp images throughout the zoom range while producing pleasing "bokeh" or background blur at all focal lengths.

It owes this high image quality to its sophisticated optical design with four aspherical lens elements, two of which are precision AA (Advanced Aspherical) lens elements. It also incorporates three ED (Extra-low Dispersion) glass elements, which together with the aforementioned aspherical lens elements ensure that chromatic aberrations are minimized and photos or videos can be taken with extremely high resolution.

The lens also features Sony's special nano-coating to minimize ghosting and light reflection, and has a circular aperture to ensure the high-quality bokeh characteristic of G Series lenses.

Compact, lightweight design and shooting flexibility
The new FE 24-105mm F4 G OSS Lens weighs only about 663 grams, making it the lightest lens in its class[i].

Combined with one of Sony's compact E-mount bodies, it represents by far a more mobile and easier-to-use camera system for photographers, significantly increasing their shooting flexibility.

Not only is the new Lens compact and highly versatile with its focal length range of 24 to 105mm, it is also suitable for impressive close-ups thanks to its minimum focus distance of just 38 centimeters. Optical image stabilization is also built in, making it easier to take sharp, blur-free handheld shots.

State-of-the-art and precise autofocus
To keep fast-moving subjects in focus, the new standard zoom lens is equipped with a DDSSM (Direct Drive SSM) system that can position the lenses of the lens extremely precisely and quietly. This autofocus and a constant F4 aperture at all focal lengths make the SEL24105G the Lens of choice for photo and video shooting.

The versatility of the new standard zoom lens is further enhanced by a customizable focus hold button, a dust- and splash-resistant design, and a fluorine coating on the front element that minimizes contamination from dust, water, oil and other contaminants.

[i]Compared to all other standard full-frame zoom lenses currently available on the market 24-105mm F4 (as of October 25, 2017)

Excellent image sharpness at all ranges
Four aspherical elements minimize distortion, while ED (Extra-low Dispersion) glass elements minimize chromatic aberrations. A circular aperture and carefully controlled aberration shape add expressiveness with beautiful, smooth background bokeh and natural highlights that complement outstanding sharpness and clarity of focused areas.

One Lens Solution for Versatile Use
Despite excellent optical performance and a high zoom ratio, the weight is only 23.4 ounces (663 grams). The compact, lightweight design also fits E-mount lenses for outstanding system mobility and ease of use. Capture a wide variety of subjects and situations in the frame with this one powerful Lens.

Constant F4 aperture and fast AF for photos and videos
Thanks to a constant F4 aperture throughout the zoom range, brightness is assured even when the focal length changes. The Direct Drive SSM AF drive system enables fast, precise, quiet focusing. All these features make the FE 24-105mm F4 G OSS an excellent choice for both still and video shooting.

Professional reliability and operability
A fluorine coating on the front lens element prevents contaminants such as oils, dirt and water from adhering to the lens. A dust- and moisture-resistant design1 and a customizable focus hold button further contribute to professional reliability and operability.