Panasonic Lumix DC-S5II + Sigma 24-70mm f/2.8 DG DN II Art

The Panasonic Lumix DC-S5 II with phase autofocus and internal LUT processing takes your workflow to a new level! The S5 II is the perfect entry into full-frame for photographers & videographers.

The sensor of the Panasonic S5 II

The 24.2 MP CMOS sensor of the Lumix S5 II is equipped with a powerful processor and was developed as part of the L² technology partnership between LEICA and LUMIX. This processor not only does a strong job with autofocus, but also with image quality. Thus, the Panasonic S5 II offers a finer resolution than its predecessor. Last but not least, the processor also contributes to capturing the natural colors. The S5 II allows access to Dual Native ISO technology, which reduces ISO noise and expands sensor dynamics.

The IBIS built into the Panasonic Lumix DC-S5 II is a 5-axis image stabilizer, which when used with a Lens provides this stabilization up to 6.5 stops. The IBIS itself achieves a stabilization performance of up to 5 f-stops. So, if a Lens without image stabilization is used, these 5 stops are still available.

All doors are open here in the low-light range as well: With an ISO of 100-51,200 and in the extended range up to 204,800 ISO.
The Panasonic S5 Mark II can work with both mechanical and electronic shutter, allowing it to shoot up to 30 frames a second in continuous mode. With a mechanical shutter, the Panasonic manages 9 frames per second.

96-megapixel resolution for Stillife shots

With this feature, the camera creates an entire 96-megapixel shot from 8 images. The camera does not rely on external software for this.

High-performance phase-autofocus in any situation

Whether moderate motion or dark situations. This Lumix gives you consistently good and precise autofocus performance. This reliably detects your subject and keeps it in focus, so you can concentrate on what's important: The image composition and the appropriate settings. The autofocus of the Lumix S5 II offers a whopping 779 autofocus points - and thus the best conditions for phase detection. Particularly in backlit or low-light situations, the autofocus comes into its own.

Editing without editing

Taking photos is often followed by image editing. But even without any knowledge at all, the Panasonic Lumix DC-S5 II can be used to create images & videos that will amaze the viewer. By using LUTs (Look up Tables) in the camera, colors, exposure, etc. can be influenced like with a preset. A special feature here is that the camera can not only display them, but also save them in parallel.

Videography with many advantages

The Panasonic S5 II sets new standards in many aspects. For demanding videographers, this camera is a dream, because it supports the Opengate format (at 6K) and offers many options for adapting the camera to the needs on set.

For example, the Panasonic Lumix DC-S5 Mark II is also equipped with a full-size HDMI port (type A) and supports some aspect ratios of anamorphic optics. Thus, the S5 II can already internally overlay a LUT over the video footage even in video mode.
Another highlight is the video resolution of the Lumix. Here, the camera manages up to 6K and H.265. At 4K, this system camera manages 60fps cropped. Another technical refinement of the Panasonic S5 II is the waveform display, thanks to which the colors + exposure can be displayed three-dimensionally. Another feature is the programmed focus pull, which allows the focus point to be pulled at up to three predetermined points.

The robust and innovative body of the S5 II

For those who don't always work in the brightest sunshine, this is a robust camera housing where all buttons, knobs and joints are protected from dust and splash water. The placement of the built-in fan sets new standards in terms of heat management. It sits in front of the electronic viewfinder, drawing air in from the front of the camera body, effectively cooling all critical components and ensuring unlimited video recording.

The Lumix S5 II's new viewfinder has once again become significantly higher resolution, with pixel density now at approximately 3.68 million pixels. Optionally, the display speed can also be switched from 120fps to 60fps.

Memory card slots + connectivity of the Lumix S5 II

The Panasonic S5 II comes with two SD card slots, both of which represent the UHS-II standard and thus offer enough space for photos & videos. For wireless control, the Lumix S5 II offers a Bluetooth and Wifi interface. These can be used to connect the S5 II with the Lumix Sync app. Among other things, the app enables wireless transfer of images to the smartphone and remote control of the camera without additional accessories.

Large Lens Assortment

Panasonic and the other members of the L-Alliance offer a wide range of high-quality Lenses for the L-Mount. Thus, the mount benefits from the developments of the relevant names and also offers the lenses at affordable prices.

The 24-70mm F2.8 Art has been further developed on all levels:
Optical performance, functionality and portability.
The SIGMA 24-70mm F2.8 DG DN II | Art has been significantly enhanced compared to its predecessor. The most advanced technologies available to SIGMA in design and production have been used.

Compared to its predecessor, the SIGMA 24-70mm F2.8 DG DN II | Art has an improved resolving power over the entire zoom range. It also benefits from functional improvements, such as the newly added aperture ring and the high-speed autofocus with newly developed HLA drive (High-Response Linear Actuator).

In addition, the Lens is approx. 7% smaller and 10% lighter than its predecessor. The new 24-70mm F2.8 II Art is therefore a versatile and powerful tool with which photographers and filmmakers can unleash their creative potential.

Key features:
1.)
Top performance that lives up to the reputation of a top model
The new SIGMA 24-70mm F2.8 DG DN II | Art is the successor to the SIGMA 24-70mm F2.8 DG DN | Art, which is renowned for its high optical performance, and has further improved resolution across the entire zoom range. It delivers the highest image quality even at open aperture and the high speed of F2.8 ensures a soft and harmonious bokeh. The Lens therefore offers maximum performance in almost all shooting situations. The short closest focusing distance further expands the creative possibilities. Flares and ghosting are excellently corrected and focus breathing is largely minimized. This means that the outstanding creative possibilities of this lens can be fully utilized in both photo and video applications.

High optical performance across the entire image and zoom range
The optical design of the lens comprises 6 FLD and 2 SLD glass elements. In addition, 5 aspherical lens elements are used. Aberrations are thus reliably suppressed over the entire zoom range. Sagittal coma flares in particular are well controlled in order to achieve a consistently high resolution right up to the periphery of the image. The effective correction of lateral chromatic aberration means that high-resolution images free of color fringing can be achieved.

Equipped with 5 aspherical lenses
The use of 5 high-precision aspherical lenses enables both high optical performance with minimal aberration correction and a compact optical design. SIGMA's production facility in Aizu, Japan, has the high-precision aspherical molding technology that allows it to produce the thin, highly polarized aspherical lenses required for this purpose. This has led to a higher degree of freedom in optical design.

Excellent close-up capability
The Lens offers an excellent close-up focusing distance of only 17cm in the wide-angle range and a maximum magnification of 1:2.7. These factors create potential for creative close-ups.
Note:
When taking close-ups in the wide-angle range, the lens hood should be removed to avoid touching the subject.

Low susceptibility to flares and ghosting
Flares and ghosting, which impair image quality, have been optimized for all lighting conditions using the latest simulation technology. In addition, a nano-porous and super multi-layer coating has been applied to the front lens to prevent flares and ghosting as far as possible. This enables brilliant, high-contrast images to be taken even in unfavorable lighting conditions.

Minimized focus-breathing
The optical design effectively suppresses focus-breathing. The changes in the image angle when focusing are reduced to a minimum, resulting in natural-looking video recordings.

2.)
Betterportability and extended features
The SIGMA 24-70mm F2.8 DG DN II | Art is approx. 7% smaller and 10% lighter than the previous model. The user-friendliness has been improved with an additional aperture ring and two AFL buttons. Despite its greater compactness and improved features, the Lens offers SIGMA's renowned high build quality. With an uncompromisingly precise and robust construction, as you would expect from a professional photographic tool.

Better handling
While the number of lens elements used has remained the same compared to the previous model, the overall length has been shortened thanks to the modern optical design. In addition, the more efficient mechanical design has resulted in a portable Lens with a maximum diameter of 87.8mm, a length of 120.2mm and a weight of 745g*.
Version with L-mount.

Outstanding processing quality
The robust internal structure and the use of high-precision metal parts ensure high stability and durability in professional use. At the same time, the size and weight of the Lens have been reduced. The design has been consistently geared towards the durability and reliability of the Lens.

Aperture ring with "de-click function"
Many demanding users appreciate the ability to set the aperture directly on the aperture ring of the Lens. The SIGMA 24-70mm F2.8 DG DN II | Art therefore once again offers an aperture ring. Thanks to its "de-click function", this feature is also interesting for filmmakers, as the aperture can be adjusted smoothly and silently in this position. Those who prefer to set the aperture on the camera body can use the aperture ring's lock function and are protected against accidental adjustment.

Equipped with two AFL buttons
Unlike its predecessor, the Lens now offers two AFL buttons, the accessibility of which has been optimized for shooting in portrait and landscape format. These buttons can be assigned individual functions with compatible cameras.

3.)
Professional functions, including high-speed autofocus
The SIGMA 24-70mm F2.8 DG DN II | Art has a high-speed AF with HLA drive in order to offer maximum performance in every shooting situation. Other features, such as dust and splash protection, the water and oil-repellent coating of the front lens and the zoom lock switch complete the professional features of the lens.

With HLA linear actuator
The Lens is equipped with an HLA (High-Response Linear Actuator) linear motor for the
AF drive. Thanks to the powerful HLA, the maximum
drive speed is more than three times that of the previous model*, ensuring
responsive AF shots.
*compared to the maximum drive speed of the SIGMA 24-70mm F2.8 DG DN | Art, the actual AF focusing time may vary

Protected from external influences
In addition to the dust and splash-proof Body*, the front lens
of the Lens has a water and oil-repellent coating. Even
in difficult shooting conditions, you can take pictures without worrying.
* The lens is protected against dust and splash water, but is not waterproof.

Equipped with zoom lock switch
The lens is equipped with a zoom lock switch that locks the lens in the wide-angle range and prevents the tube from extending unintentionally due to its own weight. The lock can be released not only via the switch, but also by turning the zoom ring, which enables flexible handling even for spontaneous shots.

Includes lens hood and case
The specially adapted lens hood LH778-05 is included with the SIGMA 24-70mm F2.8 DG DN II | Art and is securely locked with a quick twist. The Lens is supplied in a matching case for storage and safe transportation.

Further features:
Internal focusing
Compatible with high-speed autofocus
HLA (High-response Linear Actuator)
Compatible with Lens aberration correction
Only in combination with compatible cameras. The available corrections or autocorrection functions may vary depending on the camera model.

Supports DMF and AF+MF
Compatible with AF-Assist (Sony E-mount only)
Nano Porous + Super Multi-Layer Coating
Water and oil repellent coating (front lens)
Aperture ring with aperture ring click switch and aperture ring lock switch

Two AFL buttons
Only in combination with compatible cameras.

Focus mode switch
Supports linear and non-linear translation of the focus ring
Only in combination with compatible cameras of the L-mount system.

Dust and splash water protection

High-precision, robust brass bayonet
Each individual lens is subjected to SIGMA's own MTF measuring system
Interchangeable mount service available
Lens hood LH778-05 included

Compatible with SIGMA USB dock DU-11
Optionally available / only for L-mount

Technical data*:
Lens construction: 19 elements in 15 groups (6 FLD, 2 SLD, 5 aspherical elements)
Angle of view: 84.1° - 34.3°
Number of aperture blades: 11 (round aperture)
Smallest aperture: F22
Closest focusing distance: 17cm (W) - 34cm (T)
Largest magnification: 1:2.7 (W) - 1:4 (T)
Filter size: 82mm
Dimensions (maximum diameter x length): 87.7mm × 120.2mm
Weight: 745g
The above data refer to the L-mount version.

Scope of delivery:
Front cap
Rear cap
Quiver
Lens hood LH878-05