Panasonic DC-S5II + Sigma AF 28-70mm f/2.8 DG DN

The Panasonic Lumix DC-S5 II with phase autofocus and internal LUT processing takes your workflow to a new level! The S5 II is the perfect entry into full-frame for photographers & videographers.

The sensor of the Panasonic S5 II

The 24.2 MP CMOS sensor of the Lumix S5 II is equipped with a powerful processor and was developed as part of the L² technology partnership between LEICA and LUMIX. This processor not only does a strong job with autofocus, but also with image quality. Thus, the Panasonic S5 II offers a finer resolution than its predecessor. Last but not least, the processor also contributes to capturing the natural colors. The S5 II allows access to Dual Native ISO technology, which reduces ISO noise and expands sensor dynamics.

The IBIS built into the Panasonic Lumix DC-S5 II is a 5-axis image stabilizer, which when used with a Lens provides this stabilization up to 6.5 stops. The IBIS itself achieves a stabilization performance of up to 5 f-stops. So, if a Lens without image stabilization is used, these 5 stops are still available.

All doors are open here in the low-light range as well: With an ISO of 100-51,200 and in the extended range up to 204,800 ISO.
The Panasonic S5 Mark II can work with both mechanical and electronic shutter, allowing it to shoot up to 30 frames a second in continuous mode. With a mechanical shutter, the Panasonic manages 9 frames per second.

96-megapixel resolution for Stillife shots

With this feature, the camera creates an entire 96-megapixel shot from 8 images. The camera does not rely on external software for this.

High-performance phase-autofocus in any situation

Whether moderate motion or dark situations. This Lumix gives you consistently good and precise autofocus performance. This reliably detects your subject and keeps it in focus, so you can concentrate on what's important: The image composition and the appropriate settings. The autofocus of the Lumix S5 II offers a whopping 779 autofocus points - and thus the best conditions for phase detection. Particularly in backlit or low-light situations, the autofocus comes into its own.

Editing without editing

Taking photos is often followed by image editing. But even without any knowledge at all, the Panasonic Lumix DC-S5 II can be used to create images & videos that will amaze the viewer. By using LUTs (Look up Tables) in the camera, colors, exposure, etc. can be influenced like with a preset. A special feature here is that the camera can not only display them, but also save them in parallel.

Videography with many advantages

The Panasonic S5 II sets new standards in many aspects. For demanding videographers, this camera is a dream, because it supports the Opengate format (at 6K) and offers many options for adapting the camera to the needs on set.

For example, the Panasonic Lumix DC-S5 Mark II is also equipped with a full-size HDMI port (type A) and supports some aspect ratios of anamorphic optics. Thus, the S5 II can already internally overlay a LUT over the video footage even in video mode.
Another highlight is the video resolution of the Lumix. Here, the camera manages up to 6K and H.265. At 4K, this system camera manages 60fps cropped. Another technical refinement of the Panasonic S5 II is the waveform display, thanks to which the colors + exposure can be displayed three-dimensionally. Another feature is the programmed focus pull, which allows the focus point to be pulled at up to three predetermined points.

The robust and innovative body of the S5 II

For those who don't always work in the brightest sunshine, this is a robust camera housing where all buttons, knobs and joints are protected from dust and splash water. The placement of the built-in fan sets new standards in terms of heat management. It sits in front of the electronic viewfinder, drawing air in from the front of the camera body, effectively cooling all critical components and ensuring unlimited video recording.

The Lumix S5 II's new viewfinder has once again become significantly higher resolution, with pixel density now at approximately 3.68 million pixels. Optionally, the display speed can also be switched from 120fps to 60fps.

Memory card slots + connectivity of the Lumix S5 II

The Panasonic S5 II comes with two SD card slots, both of which represent the UHS-II standard and thus offer enough space for photos & videos. For wireless control, the Lumix S5 II offers a Bluetooth and Wifi interface. These can be used to connect the S5 II with the Lumix Sync app. Among other things, the app enables wireless transfer of images to the smartphone and remote control of the camera without additional accessories.

Large Lens Assortment

Panasonic and the other members of the L-Alliance offer a wide range of high-quality Lenses for the L-Mount. Thus, the mount benefits from the developments of the relevant names and also offers the lenses at affordable prices.

The SIGMA 28-70mm F2.8 DG DN | Contemporary redefines the standard zoom lens for mirrorless cameras:
It combines outstanding optical performance and a continuous aperture of F2.8 with a lightweight and compact body.

Design-wise, the 28-70mm F2.8 DG DN | Contemporary is based on the 24-70mm F2.8 DG DN | Art, but with a focal length range starting at 28mm. This makes the lens body significantly smaller and lighter, while maintaining the same outstanding optical performance.

The slightly smaller wide-angle range of the 28-70mm F2.8 DG DN | Contemporary compared to the 24-70mm F2.8 DG DN | Art has made it possible to significantly reduce the size of the 28-70mm body. The Contemporary concept balances performance and handiness.

The new Lens features a single, lightweight focusing element, so the AF unit can also be kept small. Together with a quiet and fast stepper motor, this ensures responsive and virtually silent autofocus performance.

The 28-70mm F2.8 DG DN | Contemporary weighs 470g on its own and just 890g when combined with the SIGMA fp, for example. At less than 1kg, such an outstandingly lightweight camera system gives photographers an enormous amount of freedom and flexibility to realize their creative visions. It is also a perfect choice for filmmakers looking for a powerful, lightweight and easy-to-handle camera system that also works well with a gimbal and other accessories.

Based on the design of the Art product line
The optical design of the SIGMA 28-70mm F2.8 DG DN | Contemporary is based on the 24-70mm F2.8 DG DN | Art, which is renowned for its outstanding optical performance across the entire focal length range. The 28-70mm F2.8 DG DN | Contemporary follows the core concept of the Contemporary product line: it was designed to offer the right balance of performance and handiness. In a body that is light enough for everyday use, this fast standard zoom lens thus delivers outstanding image quality that rivals lenses in the Art product line.

Outstanding build quality with attention to detail
The body of the SIGMA 28-70mm F2.8 DG DN | Contemporary, which was designed to be portable above all else, consists primarily of lightweight components.

Although conventional wisdom holds that it is more difficult to ensure processing accuracy with plastic parts than with metal parts, no compromises were made in the processing quality of the 28-70mm F2.8 DG DN | Contemporary. One reason for this is the use of the special polycarbonate TSC (Thermally Stable Composite), which has comparable thermal shrinkage to aluminum. This reduces the differences in thermal shrinkage between metallic and non-metallic components, ensuring consistent performance even under extreme temperature fluctuations. The use of polycarbonates in the construction of zoom and focus rings can make them appear less premium in practice. However, when these parts are carefully machined for precision and appropriately adjusted in motion by lubricants, the rings provide precise mechanics with an exceptionally high-quality feel.

Highest Optical Performance
The 28-70mm F2.8 DG DN | Contemporary makes use of state-of-the-art technology and features a modern optical design that includes three aspherical, two FLD and two SLD elements.

Despite the overall lower number of elements than the 24-70mm F2.8 DG DN | Art, the design still results in extensive correction of longitudinal chromatic aberration and sagital coma that cannot be corrected by camera. This allows users to create images that are consistently sharp from the center to the edge of the shot. In addition to the anti-ghosting design, the Super Multi-Layer and Nano-Porous coatings ensure well-controlled flare for high-contrast results even when backlit. The front lens of the Lens features a water- and oil-repellent coating.

The Everyday Companion
The SIGMA 28-70mm F2.8 DG DN | Contemporary offers a new and improved photographic experience to mirrorless camera photographers who need a fast standard zoom lens. Its high-quality, intuitive construction makes the lens as exciting to use as the incredible images it can produce - inspiring you to realize its creative potential.

Ghosting and Reflection Minimizing Design
An ideal lens directs incident light through all the lenses and onto the sensor. If, on the other hand, some of the light is reflected by individual lenses, not only does the light yield decrease; the reflections within the Lens create ghost images and aperture spots, or they reduce contrast. Such effects would be particularly noticeable in backlit shots.

To prevent this, our 28-70mm F2.8 DG DN | Contemporary uses Super Multi-Layer Coating (SML) and Nano Porous Coating, which reduce flare and ghosting. The result is clear, sharp, high-contrast images without distracting lens flares.

Compatible with the latest full-frame mirrorless cameras
The 28-70mm F2.8 DG DN | Contemporary is compatible with full-frame mirrorless cameras with L-mount or Sony E-mount.

A stepper motor is used for fast focusing. The autofocus with automatic eye detection used in newer mirrorless cameras is also supported; this makes precise focusing of portraits, for example, child's play.